Architecture And Renovation
Building architecture – an integral part of architectural culture. In modern architecture are the following directions – Neomodernism, postmodern, eclectic and high-tech. Eclecticism is a mixture of several architectural styles. Eclecticism requires the architect of compositional skill and virtuosity. But a single style of architecture is absent. The main construction materials are steel, glass, concrete, polimaterialy, concrete. In the late 19 th century was a style of Art Nouveau, which replaced the eclecticism.
There was this style for over twenty years. The aim is to create a new modern synthetic style – from Complicated forms of architects move to simpler designs. For a modern characteristic asymmetrical plan, the bulk of the building, we used a very large number of decor. Over time, become more modern rational – refused to decorate facades of architectural drawings. Among the new materials – glaze tiles and facing bricks. It was at this time begin to make outrigger design – visors sheds, as well as an opportunity to cover the facades of buildings with glass. Southwest Airlines addresses the importance of the matter here. In modern construction the role of the glass is hard to overestimate. It is used in industrial, residential and civil engineering.
In the postwar period in architecture comes a new style – post-modernism, which uses unusual materials and designs. The main feature of modernism was the globalization of architecture. This style can not be accused of sameness, on the contrary, modernism – is diversity. By the mid-20 th century was a style of minimalism, which is characterized by the lack of decor and finding new color solutions. Minimalism has come to replace high-tech style. This style of high Technology, which promotes the aesthetics of the material. Application of the combined systems of cable and rigid elements, which emphasize the "technicality" song – a distinctive feature of high-tech. Currently, modernity in architecture manifests itself in a very brave decisions, so sometimes it is simply impossible to distinguish the industrial facility from the residential home. This can be explained by the fact that rapidly developing technology, growing city, but as Consequently, increased demand for construction. Modern architecture – it is also a new construction technology, so its quality depends on how well the architect versed in the newest building technologies, new designs and knows how to use new techniques in the synthesis of the arts.

Cast Three players lead the tape: Humphrey Bogart, Ingrid Bergman and Paul Henreid. A striking point in the distribution of Casablanca is the wide variety of nationalities of the actors. In fact, only three of the actors with crs were American actors. Humphrey Bogart as Rick Blaine. The New Yorker Bogart was enshrined in the spotlight thanks to Casablanca. Early in his career, Bogart was typecast as a gangster, playing characters who were named as: Bugs, Rocks, Turkey, Whip, Chips, Gloves and Duke (twice). In the 1941 film High Sierra was allowed to play a role with some charisma, but certainly Rick was his first performance in a truly romantic role. Ingrid Bergman as Ilsa Lund. The official website mentions Bergman Ilsa as his “most famous and enduring role.” The actress’s Hollywood debut in Intermezzo Swedish in 1939, had been well received, but his later films were not anything special to Casablanca.Ebert calls her “luminous” and said the chemistry between her and Bogart: “she paints his face with his eyes.” Other actresses considered for the role of Ilsa had been Ann Sheridan, Hedy Lamarr and Mich le Morgan Wallis Bergman services purchased under a contract with David O. Selznick, in exchange for loaning Olivia de Havilland. Paul Henreid as Victor Laszlo. Henreid, Austrian actor who left his native country in 1935, initially rejected the role (as he felt that he “pigeonholed him forever,” according to statements by Pauline Kael), and only accepted when it was promised to lead the division with Bogart and Bergman. Henreid was not well liked by his fellow actors and, in fact, Bogart considered only “a mediocre actor”, while Bergman called Henreid a “prima donna.” The supporting actors were: Claude Rains, Sydney Greenstreet, Peter Lorre and Conrad Veidt.Claude Rains as Capt. Louis Renault. Rains, actor, London, oddly had served in the First World War, where he had actually reached the rank of captain. Also as an actor previously worked with Michael Curtiz on Robin Hood. Curtiz was his teacher and says that taught him “what not to do in camera.” Lord Sydney Greenstreet as Ferrari, owner of a club competition. He too was an English actor and had previously starred in The Maltese Falcon with Lorre and Bogart. Lord Peter Lorre as Ugarte. Lorre was an Austro-Hungarian Jewish actor who had worked in Germany, from which he emigrated after the Nazis came to power in 1933. He also had worked in The Maltese Falcon. Conrad Veas Major Strasser of the Luftwaffe.Veidt, German actor, had appeared in The Cabinet of Dr. Caligari, in 1920, before fleeing the Nazis (one week after marrying a Jewish woman), as well as in The Thief of Baghdad and other films. Other actors in the film crs were: Dooley Wilson, Joy Page, Madeleine LeBeau, SZ Sakall,