Traditionally the complaints of clients in the companies have given a tremendous flojera: nobody wants to hear them, nobody is wanted to make person in charge and is a subject that exasperates until the most patient a. Nevertheless, recent innovations in the theories of management have changed their perception significantly. The complaints have been perceived like troublesome and kill-joy because to anybody it likes to listen to them: the complaint is non pleasing. We prefer the good news and we have a tendency to " to kill mensajero" , to whatever one dares to say something bad, rasposo, negative. In the companies it seems that there is nothing no better than to leave a meeting where the results were all good ones. The complaints have been perceived as conflict source and usually are orphaned, I I was not, you were you, was he. If you want to see an equipment break its cohesion it inserts a complaint to the center of the table and you will see how the harmony is broken; the accusations fly right and left. Now that if one is a group that exceptionally evaluates the equipment spirit, it will tend to exclude the complaints of the agenda, conscious way or unconscious, and to hide-and-seek them underneath the rug.

But the complaints are so many and so great that this brotherly equipment no longer can ignore them, they look for then I inform expiatorio – preferably outside the group and the ball of snow it only continues growing. The complaints have been perceived like disruptores of the eficientista mentality that require the scale economies. Everything what is against the long shots of production or that modifies the manufacture specifications is infested. The complaints also have been perceived like a necessary evil that it must be taken care of when the competition is better in something. The company reacts to the competitive pressure, but it is to the force, of defensive way, and they notice it to the clients.

National Geographic

According to an article published in the Nation, photographer Steve McCurry (author of the unforgettable picture of the Afghan girl of green eyes published by National Geographic) already found the one that perhaps is their next great photo: a pair of tango at the fleeting moment which the movement of both becomes same music. McCurry affirms that the intention of its photographies is to count histories of the anonymous people who not even are conscious of the singularity of the moment that the photographer captures. According to McCurry account, ” it is not necessary to share a time determined with people to catch a little while. A strong connection in immediate form can be had, even without knowing history the protagonists. Sometimes it can be a woman in the Tibet that walks towards its life. And I am an American with a camera that detects something interesting. The expressions of people change from a little while to another one. Swarmed by offers, Oracle is currently assessing future choices.

The beauty is in finding the moment preciso”. Work, intuition and talent compose the artistic process that defines the work of the North American photographer. The people who it inhabits determined scenes, its expressions, its attitudes, its behaviors are the raw material to fascinate that it. For McCurry the amount does not make the difference. ” A million photos throughout my life can be like a million words that do not mean anything. What has sense is if an image is able to capture the imagination of gente”.

Steve McCurry is one of those photographers who look for the lost moments in this world so unknown for so many. Much people when she sees some of those photographies give account of little that arrives from the corners more separating from the Earth: customs, feelings, nature or even death and desolation. By means of photographers as Steve McCurry much people knows a little more our world, even the most destructive facets of we ourself.