International Committee

The bandoneonist commented at that then that this song, along with another call Juanito Laguna helps his mother, it meant the beginning of his collaboration with Horacio Ferrer more beyond of Maria de Buenos Aires, which had premiered in May. In 1947, the five-year Plan had set the importance that should be in education, folklore, dance, religion, popular poetry, family, history and languages. The curricula of peronism had made emphasis on love for the field and, also, the teaching of this repertoire who had arrived in Buenos Aires and its margins from the hand of industrial policies and internal migration. ()But, also, in the late 1960s, an explosion of urban consumption of those musics. On the one hand, there was a direct consequence on the fruitful source of Argentine rock.

It not hard to imagine to Spinetta, Soule, Garcia, Santaolalla and Paez singing Zamba de la Candelaria or outdated guitar. And it doesn’t cost to hear traces of that learning in their own songs. ()This initiative walk America, giving rise to the creation of Uruguayan Popular song, hand, especially Washington Benavidez, Anibal Sampayo, Alfredo Sitarrosa, Daniel Viglieti, Los Olimarenos and many others; The new song of Chile, with Victor Jara, Quillapayun, Los Jaivas; in Nicaragua called Volcanto, with Carlos and Enrique Mejia Godoy, Norma Helena Gadea. In Cuba, the Nueva Trova, with Silvio Rodriguez, Pablo Milanes, Vicente and Santiago Feliu, as initiators. In Caribbean music, it is essential to mention to Ruben Blades and Willie Colon.

In Brazil, the leading figure is Chico Buarque de Hollanda, than, accompanied by Joao Gilberto and the great poet Vinicius de Moraes, they give rise to the birth of the MPB (Brazilian Popular Movement). In the United States, their drivers are Pete Seeguer and Joan Baez.Este movement leads to the founding of the International Committee of the new song, with headquarters in Mexico, chaired initially by Gabino Palomares. In its founding document, recognized as the source of the new song movement in the world, to Mendoza, Argentina, 1966, with the new Songbook. Then comes the movement of the new song European, with Joan Manuel Serrat, accompanied by Ana Belen and Victor Manuel.ideologicamente, the new song is has confused with the music of protest because in their lyrics, generally, it manifests a deep rejection by foreign intervention (military, political or economic) in the American countries; However, it will not stay in this position of rejection, but it expresses a profound respect for the life of the workers, peasants and indigenous people, all this with a clear rejection of the American and European imperialism, consumerism and social inequality.



Comments are closed.